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Since childhood I have been an artist.  Beginning at a very
early age I remember drawing and painting.  I explored many
different mediums and styles.  
  

I attended the University of New Mexico and received my
BFA in drawing and painting.  Two out of my four years of
college were spent exploring working only in black and
white, using charcoal and pencil.  I found those years
invaluable working solely in black and white.  After that I
returned to working in color using watercolor.

I have had the great privilege of studying with
Ning Yeh,
renowned master brush painter.  Brush painting is now my
medium of choice.  I absolutely love it.  Past exhibitions
include the Made in California show, Brea, CA, 50th Annual
Hillcrest  Fine Arts Festival in La Habra Heights, CA and a
large exhibit of my works at the Cerritos Millennium Library
in September/October 2009.  I exhibited at the 2010 Art-A-
Fair, as well as the Sawdust Winter Fantasy shows in
Laguna Beach, CA.  Additionally, I was a juror of the Fall
Judged Show at the San Clemente Art Association in
August  2011.

I have chosen the Hsieh-I (pronounced “Shay-ee”) (Depicting
Idea) style of brush painting.  I depict my idea of a particular
flower and not the literal flower in front of me.  Po Mo
(meaning “throw ink”) is the method that I use.  Once a stroke
is done – it’s done.  Spontaneity, freedom and honesty are
some of the important principles in this method of painting.  
Once a painting is completed, I then mount each painting on
a special mounting paper, using an archival glue.  This
process restores the color and brush strokes to their
beautiful state that was visible when first painted.  The
luminescence, color blending and quality of brush strokes
acting on the rice paper is unlike anything I have ever
experienced while doing western watercolor.  I love the
spontaneous, lively quality of the brush in contact with the
paper.  The loading and blending of water and color is
critical for each stroke.
 

The control and skill that must be used in handling the
brushes is endlessly fascinating to me.  There are some
brushes called hard brushes that work better for lines and
some softer ones that work better for broader shapes such
as flower petals.  Each brush handles differently.  The
brushes are made out of a variety and number of very
specific animal hairs.  

The red stamps on my paintings are called “seals” or
“chops”.  Beginning 2012, my paintings are available with or
without red ink seals.  Click below to view my various seals
and their meanings.














This is a fresh, new approach to my art through
Chinese brush painting:

  • powerful clear visions
  • liveliness of strokes
  • freedom/spontaneity of strokes
  • gracefulness
  • simplicity/essence of subject matters
  • beauty in life

OFFERING FINE ART FOR YOUR
   
HOME AND BUSINESS:
All original paintings.  
Commissions gladly accepted.

Professional Affiliations:  Southern California Artists
Association, Huntington Beach Art League, San Clemente
Art Association, Whittier Art Association, Allied Arts
Association of Cambria.

Certificate of Merit 2009 - Chinese Brush Painting
Teaching Techniques, Professor Ning Yeh.

I am also available to demonstrate as well as teach brush
painting.  
DEBBIE'S ART STUDIO
HUNTINGTON BEACH, CA    
DebbieJosephson@yahoo.com / (714) 514-1862
Grand Canyon
Photos from some of my favorite inspirational places.  
If you are interested in purchasing one of my photos,
please contact me
.
BIOGRAPHY
Hanging Temple of the Holy North Mtn. - China
California Central Coast
Norway